Contributor to The Eastbourne Gazette (chess columnist), The Occult Review, The Bystander, The Fatherland, The Open Court, Smart Set, Pearson's, The English Review, and the English and American editions of Vanity Fair. Managing editor of The International: A Review of Two Worlds (1916-1917). Crowley's early works (1898-1905) are Aceldama (1898), The Tale of Archais (1898), Jezebel (1898), Songs of the Spirit (1898), Jephthah (1898), An Appeal to the American Republic (1899), The Mother's Tragedy (1901), The Soul of Osiris (1901), Carmen S?culare (1901), Tannhauser (1902), Berashith (1903), Alice, An Adultery (1903), The God Eater (1903), Summa Spes (1903), Ahab (1903), The Star and the Garter (1903), In Residence (1904), The Argonauts (1904), Why Jesus Wept (1904), The Sword of Song (1904), Oracles (1905), Orpheus (1905), Rosa Mundi (1905), Gargoyles (1905), Rodin in Rime (1905). These were collected with revisions and a few retitlings in The Collected Works of Aleister Crowley (3 vol., 1905-7), which omitted The Book of the Goetia of Solomon the King (1904, as editor) and the unattributed pornographic works White Stains (1898) and Snowdrops from a Curate's Garden (c. 1904).
In Crowley's middle period (1907-1914, bracketing the period of the first volume of The Equinox) he issued works on magick and mysticism as well as poetry: Konx Om Pax (1907), Amphora (1908, reissued as Hail Mary, 1912), Clouds without Water (1909), Liber 777 (1909), The World's Tragedy (1910), The Scented Garden of Abdullah the Satirist of Shiraz (Bagh-i-muattar) (1910), Rosa Decidua (1910), The Winged Beetle (1910), Ambergris (1910), Household Gods (1912), Book 4, Parts I-II (1912-1913, with Mary Desti), Liber CCCXXXIII, The Book of Lies (1913) and Chicago May (1914). His late period included his novels, autobiography and most of his principal textbooks, with poetry generally confined to small booklets: Diary of a Drug Fiend (1922), Songs for Italy (1923), Moonchild (1929), The Spirit of Solitude, subsequently re-antichristened The Confessions of Aleister Crowley (1929, vols. 1-2 only), Magick in Theory and Practice (being Part III of Book 4) (1929-30, with Leila Waddell), The Equinox of the Gods (The Equinox III(3), 1936), Liber AL vel Legis sub figura CCXX (1938), The Heart of the Master (1938), Little Essays Toward Truth (1938), Khing Kang King (1939), Eight Lectures on Yoga (The Equinox III(4), 1939), Temperance (1939), Thumbs Up (1941), The Fun of the Fair (1942), The City of God (1943), The Book of Thoth (The Equinox III(5), 1944, with Frieda Harris), and Olla: An Anthology of Sixty Years of Song (1946). Crowley's principal posthumous works are Liber XXX ?rum vel S?culi Sub Figura CCCCXVIII: the Vision and the Voice, with Commentary (1952), The Gospel According to St. Bernard Shaw (1953), Magick without Tears (1954), 777 Revised (1955), Liber Aleph vel CXI, The Book of Wisdom or Folly (The Equinox III(6), 1961), The Book of Lies with an additional commentary (1962), The Confessions of Aleister Crowley (1969, abridged ed. of vols. 1-6), Atlantis (1970), Shih Yi (The Equinox III(7), 1971), Liber CLVII, The Tao Teh King (The Equinox III(8), 1971), ??????: The Holy Books of Thelema (The Equinox III(9), 1983), Golden Twigs (1988) and The Law is for All (auth. ed. 1996). For Crowley as a French translator, see Charles Baudelaire, Little Poems in Prose (1928) and Eliphas Levi, The Key of the Mysteries (book format, 1959).
First editions are generally cited; many of Crowley's prose works are now available in a revised second edition with a critical apparatus. Posthumous compilations include The Equinox III(10) (1986), Commentaries on the Holy Books and Other Papers (The Equinox IV(1), 1996), The Vision and the Voice with Commentary and Other Papers (The Equinox IV(2), 1998) and the essay collection The Revival of Magick (1998). The four parts of Crowley's principal work on magic and mysticism were revised and reissued as Magick (Book 4, Parts I-IV) (1994, 1997).
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