Sacred Thelemic Texts

Sacred Thelemic Texts Cover The Book of the Law was written when Aleister Crowley was a Minor Adept of the Hermetic Order of the Golden Dawn. Subsequently he underwent an experience, called the "ordeal of the abyss," similar to the "dark night of the soul" of the mystics, in which he completely annihilated his human personality and achieved an extreme state of "psychic opening." He became completely open and receptive to the influx of the divine consciousness, an intense, intuitive, transrational, and ecstatic state of self-perfection and realization of reality in its fundamental and ultimate aspects. In this state, intermittently over a period of five years, Crowley wrote a series of books, ranging in length from several hundred to several thousand words, concerning which he declares that they are beyond rational criticism, i.e., absolutely and indubitably true. These books were written "automatically," i.e., without rational reflection, in a state of trance. These works constitute the revelatory foundation of the Law of Thelema, and are referred to, including the Book of the Law, as the Holy Books of Thelema. In order of writing, they are:

Liber AL vel Legis (1904 e.v.)
Liber Liberi vel Lapidis Lazuli (1907 e.v.)
Liber Cordis Cincti Serpente (ibid)
Liber Stellae Rubeae (ibid)
Liber Porta Lucis (ibid)
Liber Tau vel Kabbalae Trium Literarum (ibid)
Liber Trigrammaton (ibid)
Liber Ararita (1907 or 1908 e.v.)
Liber Arcanorum t Atu t Tahuti, etc. (1907 and 1911 e.v.)
Liber B vel Magi (1911 e.v.)
Liber Tzaddi vel Hamus Hermeticus (1911 e.v.)
Liber Cheth vel Vallum Abiegni (1911 e.v.)
Liber Aaeash vel Capricorni Pneumatici (1911 e.v.)

In addition to the foregoing, Crowley wrote (or, rather, dictated to his disciple and lover, the poet Victor Neuburg, in an ASC) The Vision and the Voice. The Vision and the Voice (properly, Liber XXX Aerum vel Saeculi) is a series of visions based on the Enochian magical workings of famed Elizabethan scholar john dee and his skryer Edward Kelley, to which Crowley tracesthe beginning of the process culminating in the advent of the New Aeon in 1904 e.v. Crowley claimed to be Edward Kelleyaes reincarnation. All but the first two visions were received in the Sahara Desert in 1909 e.v., to which he ascribed a combined classification, viz., A-B, Class aeAae being a "holy book" as discussed above, and Class aeBae an ordinary work of rational scholarship. A prefatory note to The Treasure House of Images, published in The Equinox in 1910 e.v., was assigned the aeAae classification. Liber NU and Liber HAD also contain instructions received directly from V.V.V.V.V., Crowleyaes motto as a Master of the Temple of the A...A..., which are presumably also Class aeA,ae since V.V.V.V.V. corresponds to Crowleyaes neschamah, the soul in its static aspect.

Finally, in 1925 e.v., after a hiatus of more than a decade, Crowley penned the last and the shortest of the Holy Books of Thelema, a short preamble to the Book of the Law of only 77 words (plus 27 words of quotation from the Book of the Law), in which both the study and discussion of the Book of the Law are specifically and absolutely prohibited. Most Thelemites today follow Crowleyaes lead in interpreting The Comment to mean that no one may publicly interpret the Law of Thelema, and that those who do so are to be shunned, despite the fact that the prohibition is only applied to the text of the Book of the Law itself, and not any other holy book. Consequently, little critical literature on the Law of Thelema (as distinct from biography) has appeared since Crowleyaes death in 1947 e.v., the only notable exception being the writings of Kenneth Grant (most importantly, The Magical Revival, aleister crowley and the Hidden God, and Hecateaes Fountain). However, Grant and his followers are shunned as heretics by many Thelemites, especially the followers of the American Caliphate, who accuse him of collaborating with John Symonds. Symonds, who many Thelemites believe exploited the aeold man" for personal profit and gain by hypocritically maneuvering himself into the position of Crowleyaes literary executor, is the author of several extremely hostile biographies of Aleister Crowley, as well as the co-editor with Kenneth Grant of a number of Crowleyaes writings. In his final Crowley biography, King of the Shadow Realm, Symonds claims that Crowley was actually psychotic (similar assertions are sometimes made about Carl Gustav Jung as well, and are clearly ideologically motivated).

The Holy Books of Thelema are remarkable by any standard, especially the two longest books, Liber Cordis Cincti Serpente and Liber Liberi vel Lapidis Lazuli, although personal hostility towards Crowley has caused them not to be as widely regarded as they should. Except the Book of the Law, the Holy Books of Thelema represent the high water mark of Aleister Crowleyaes literary career for sustained philosophical sublimity, lyric and symbolic beauty, and structural elegance. Often obscure, they are nevertheless potent and profound testaments to the ecstatic integrity of Aleister Crowleyaes spiritual realization. Liber Cordis Cincti Serpente is an account of the Attainment of the Knowledge and Conversation of the Holy Guardian Angel. Crowley also wrote a long and interesting commentary on this particular holy book. Liber Liberi vel Lapidis Lazuli describes the Ordeal of the Abyss from an universal perspective, whereas The Vision and the Voice documents Crowleyaes own attainment of this grade as well as offering innumerable insights into the Law of Thelema and the New Aeon in general. These two attainments, the Angel and the Abyss, constitute the two critical events in the life of the adept in Crowleyaes system, by which the aspirant becomes a Major Adept and a Master of the Temple respectively, and have considerable resonance with the perennial philosophy from which all authentic spiritual insights derive.

Another holy book, Liber Cheth vel Vallum Abiegni, describes the grade of Babe of the Abyss, and Liber B vel Magi describes the grade of Magus. Liber Porta Lucis and Liber Tzaddi vel Hamus Hermeticus describe Crowleyaes mission as Thelemic prophet and the task of initiation in the New Aeon. Liber Tau vel Kabbalae Trium Literarum explains the ordeals of the grades. Liber Ararita is a description of the spiritual path in extremely subtle and abstract language. Liber Trigrammaton describes the process of cosmic devolution. Liber Arcanorum interprets the Tarot trumps as an initiatory sequence. Liber Aaeash and Liber Stellae Rubeae offer practical instruction in sexual Tantra.

Liber AL vel Legis, the Latin rendering of the "Book of the Law," is of course Aiwassae proclamation of the advent of the New Aeon and its essential formulae (even although Crowley had not crossed the abyss when Aiwass revealed the Book of the Law, he classifies it as an holy book because it represents the dictation of Aiwass himself, who holds the rank of Ipsissimus, i.e., the highest possible grade. Crowley himself only attained this grade seventeen years later, in 1921 e.v., at which time he and Aiwass became one being: thus the relationship with the Holy Guardian Angel represents in the Thelemic view a kind of spiritual marriage).

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Meshafi Resh - The Black Book
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Scientology Revealed For The First Time The Odd Beginning Of Ron Hubbard Career

Scientology Revealed For The First Time The Odd Beginning Of Ron Hubbard Career Cover Above: "In 1946 Aleister Crowley (left), the sorcerer and mystic whose dabblings in black magic earned him the title The Wickedest Man in the World, found a new disciple and welcomed him to one of his occult communities in California. The extraordinary activities of this new and enthusiastic disciple are described in a vast collection of papers owned by a former admirer of Crowley which we have examined. The man in question is Lafayette Ron Hubbard (right), head of the now notorius Church of Scientology."

JOHN WHITESIDE Parsons, a brilliant rocket fuel scientist, joined the American branch of Crowley's cult in 1939. He struck up earnest correspondence with "The Beast 666," as Crowley was known by his followers, and soon became his outstanding protege in the United States. By January, 1946, Parsons was impatient to break new frontiers in the occult world. He decided to take the spirit of Babalon, the "whore of Babylon," and invest it in a human being.

But to carry out this intricate mission Parsons needed a female sexual partner to create his child in the astral (spiritual) world. If this part of the fixture went successfully Parsons would be able to call down the spiritual baby and direct it to a human womb. When born, this child would incarnate the forces of Babalon. During his magical preparations for this incarnation Parsons found himself overwhelmed with assistance from a young novitiate named Ron Hubbard.

Parsons write to Crowley at the beginning of 1946. "He (Hubbard) is a gentleman, red hair, green eyes, honest and intelligent and we have become great friends. Although he has no formal training in magic he has an extraordinary amount of experience and understanding in the field. Ron appears to have some sort of highly developed astral vision. He describes his angel as a beautiful winged woman with red hair whom he calls the Empress and who has guided him through his life and saved him many times." He concluded almost ecstatically, "He is in complete accord with our own principles. I have found a staunch companion and comrade in Ron."

But within two months the bonds of friendship were under some strain: Ron claimed Parsons girlfriend, Betty. With admirable restraint Parsons wrote to Crowley, "She has transferred her sexual affection to Ron. I cared for her rather deeply but I have no desire to control her emotions." As if to cement their loyalties Parsons, Hubbard and Betty decided to pool their finances and form a business partnership.

Meanwhile preparations for the mystical mission were well under way. From January 4 to 15, 1946, Parsons and Hubbard engaged in a nightly ritual of incantation, talisman-waving and other Black Magic faithfully described in Parsons diary as Conjuration of Air, Invocation of Wand and Consecration of Air Dagger. With a Prokofiev violin concerto blaring away the two of them pleaded with the spirits for "an elemental mate" -- a girl willing to go through sexual rites to incarnate Babalon in the spirit world.

Parson mentions that windstorms occurred on a couple of nights and one night the power supply failed. But nothing seriously responsive until January 14, when Ron was struck on the right shoulder and had a candle knocked out of his hand. "He called me," Parsons wrote, "and we observed a brownish yellow light about seven feet high. I brandished a magical sword and it disappeared. Ron's right arm was paralyzed for the rest of the night.

The following night was even more portentious. Hubbard apparently saw a vision of one of Parsons' enemies. Parsons wrote, "He attacked the figure and pinned it to the door with four big throwing knives with which he is expert." For four days Parsons and Hubbard were in a state of tension. Then, on January 18, Parsons turned to Ron and said, "It is done." He added, "I returned home and found a young woman answering the requirements waiting for me."

The incarnation ritual set out in Parsons' manuscript, The Book of Babalon, is difficult reading for the unconfirmed spiritualist. Broadly interpreted, Parsons and Hubbard constructed an altar and Hubbard acted as high priest during a series of ceremonies in which Parsons and the girl shared sex. The owner of the documents, who is an expert on Crowley's magic, says that Parsons at this stage was completely under Hubbard's domination. How else can one explain Hubbard's role as High priest in the rites after only a few weeks in the trade?

For the first of the birth ceremonies which began on March 1 Hubbard wore white and carried a lamp while Parsons

Jack PARSONS, the AntiChrist

above: PARSONS, the AntiChrist

was cloaked in a black, hooded garment carrying a cup and dagger. At Hubbard's suggestion they played Rachmaninoff's Isle of the dead as background music.

Parsons account of the start of the birth ritual is as follows: "The Scribe (Hubbard) said, 'The year of babalon is 4063. She is the flame of life, power of darkness, she destroys with a glance, she may take thy soul. She feeds upon the death of mean. beautiful -- horrible.' The scribe, now pale and sweating rested awhile, then continued." There are two possible reasons why Hubbard showed anxiety at this stage of the ceremony, the owner of the papers says. He was either deeply moved by the spiritual depth of the ceremony or he couldnt think what to say next.

Hubbard further instructed Parsons: "display thyself to our lady; dedicate thy organs to her; display thy mind to her; dedicate thy soul to her, for she shall sbsorb thee. Retire from human contact until noon tommarro. Speak not of this ritual. Discuss nothing of it. Consult no book but thine own mind. Thou art a god. Behave at this alter as one before another."

On the third day the ritual began four hours before dawn. Ron tells his companion, "lay out a white sheet. Place upon it blood of birth. Envision her approaching thee. Think upon the lewd, lascivious things thou coulds't do. All is good to Babalon. All. Preserve the material basis. Thus lust is hers, the passion yours. Consider thou the Beast raping." These invocations along with other passages in the ritual indicates that Parsons had collected specimens of his own sperm and the girls menstrual fluid.

The climax of the ceremony occurred the following day with Ron at he altar working his two subjects into a sexual frenzy. Over Rachmaninoff he intoned such gems as:

Her mouth is red and her breasts are fair and her loins are full of fire,

And her lust is strong as a man is strong in the heat of her desire.

An exalted Parsons wrote the next day, "Babalon is incarnate upon the earth today awaiting the proper hour of her manifestation. And in that day my work will be accomplished and I shall be blown away upon the breath of the father even as it is prophecied." (In fact, Parsons was "blown away" in a rocket experiment laboratory in Pasadena in 1952.)

Unable to contain his joy, Parsons decided to tell Crowley what had happened. On March 6 he wrote, "I can hardly tell you or decide ho much to write I am under command of extreme secrecy. I have had the most important, devastating experience of my life." Crowley was dumbfounded by the news of the incarnation ceremony. He wrote back, "You have me completely puzzled by your remarks. I thought I had the most morbid imagination but it seems I have not. I cannot form the slightest idea what you can possibly mean>"

With a distinct note of concern he dashed off a letter on the same day to the head of his American cult saying, "Apparently Parsons or Hubbard or somebody is producing a Moonchild. I get fairly frantic when I contemplate the idiocy of these louts." (This acid rebuke comes from a man whose activities were once summed up by a judge like this: "I have never heard such dreadful, horrible, blasphemous and abominable stuff as that which has been produced by the man who describes himself as the greatest living poet.")

By May that same year Crowley was not only concerned about Parsons spiritual well-being. There was a smaller matter of certain moneys. When the trio formed their business enterprise, Parsons is believed to have put in 17,000 dollars, Hubbard about 1,000 dollars, and Betty nothing. Using about 10,000 dollars of he money, Hubbard and his newly acquired girlfriend, Betty, bought a yacht. A report to the head of the American branch by another cult member says, "Ron and Betty have their boat at Miami, Florida, and are living the life of Riley, while Brother John (Parsons) is living at rock bottom and I mean rock bottom.

In a more sinister way, the report added: "Let is consider this matter of the magical child which Jack Parsons is supposed to turn loose on the world in nine months (now seven). Ron, the Seer, was the guy who laid down the main ideas, technic (sic), etc., of said operation."

On reading Parson's accounts of the ceremony and the reports from branch headquarters in America, Crowley cabled his U S office on May 22: "Suspect Ron playing confidence trick -- Jack Parsons weak fool -- obvious victim prowling swindlers." In a letter a few days later he said, "It seems to me on the information of our brethren in California that Parsons has got an illumination in which he lost all his personal independence. From our brother's account, he has given away both his girl and his money . Apparently it is the ordinary confidence trick."

A much-chastened Parsons wrote to Crowley on July 5, "Here I am in Miami pursuing the children of my folly. I have them well tied up. They cannot move without going to jail. However, I am afraid that most of the money has already been spent. I will be lucky to salvage 3,000 to 5,000 dollars." Just how Parsons managed to capture the errant lovers is in keeping with the other extraordinary chapters of this story. "Hubbard attempted to escapeme," Parsons wrote, "by sailing at 5 p.m. and performed a full invocation to the Bartzabel within the circle at 8 p.m. (a curse). At the same time, however, his ship was struck by a sudden squall off the coast which ripped off his sails and forced him back to port where I took the boat in custody."

Parsons recovered financially and possibly as a backlash to his experience with Hubbard, he took the Oath of the AntiChrist in 1948 and changed his name to Belarion Armiluss Al Dajjal AntiChrist. In his scientology publications Hubbard says of the period, "Crippled and blinded at the end of the war I resumed studies of philosophy and by my discoveries recovered so fully that I was reclassified in 1949 for full combat duty."

Hubbard claims that more than two dozen thinkers, prophets and psychologists influenced scientology (which he launched in 1951); everyone from Plato, Jesus of Nazareth to Sigmund Freud whom he says he studied under in Vienna. The record can now be righted with the inclusion of Aleister Crowley, the Beast, 666.

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Rockmusic And Aleister Crowley

Rockmusic And Aleister Crowley Cover Aleister Crowley has had a large influence upon modern rock music. The following overview of Crowley’s life is from Hungry for Heaven by Steve Turner:

“Born in 1875, Aleister Crowley had, like the Rolling Stones, rebelled against a regulated small-town background. He’d been raised in Leamington, Warwickshire, by parents who were members of the Strict Brethren, a fundamentalist Christian sect. From an early age young Aleister identified with the enemies of God in the Bible stories that were read to him. In particular he identified with the antichrist predicted in the book of Revelation. In 1898 he joined the Hermetic Order of the Golden Dawn, a magical society.

“Most of Crowley’s adult life was dedicated to indulging in everything he believed God would hate: performing sex magic, taking heroin, opium, hashish, peyote and cocaine, invoking spirits, and even once offering himself to the Russian authorities to help destroy Christianity. He wrote volumes of books that he believed were dictated to him by a spirit from ancient Egypt called Aiwass. “To worship me take wine and strange drugs,” the spirit conveniently told him. “Lust, enjoy all things of sense and rapture. Fear not that any God shall deny thee for this.” …

“Crowley finished his life as a sick, wasted heroin addict given to black rages and doubts about the value of his life’s work. His last words as he passed into a coma on December 1, 1947, were, “I am perplexed…” (Steve Turner, Hungry for Heaven, pp. 92,97,98).

Aleister’s father Edward was a Brethren preacher, but he had inherited a fortune from his father who Crowley Ale. Edward died when Aleister was eleven and the son inherited the fortune. From this inheritance, Aleister financed his satanic career. He began torturing and killing animals at age twelve. Crowley was a heroin addict and a sexual pervert. His Christian mother referred to him as “The Great Beast of Revelation whose number is 666,” and he was pleased with the title. He was convinced that he was the reincarnation of the magician Eliphas Levi, who died the year Crowley was born. Crowley also believed he had lived other lives, including that of Pope Alexander VI. Crowley claimed that dark powers gave him the words to his “Book of the Law.” His first wife, Rose, died in a mental asylum. His second wife also went insane. “Five mistresses committed suicide, and scores of his concubines ended in the gutter as alcoholics, drug addicts, or in mental institutions” (Hellhounds on Their Trail, p. 56).

Crowley’s philosophy was as follows —

“Do what thou wilt shall be the whole of the law.”

“Lust, enjoy all things of sense and rapture. Fear not that any God shall deny thee for this.”

“I do not wish to argue that the doctrines of Jesus, they and they alone, have degraded the world to its present condition. I take it that Christianity is not only the cause but the symptom of slavery” (Crowley, The World’s Tragedy, p. xxxix).

“That religion they call Christianity; the devil they honor they call God. I accept these definitions, as a poet must do, if he is to be at all intelligible to his age, and it is their God and their religion that I hate and will destroy” (Crowley, The World’s Tragedy, p. xxx).

Crowley studied Buddhism and Hindu yoga, following in the footsteps of Helena Blavatsky, and did much to popularize these in the West.

In 1922, Crowley published Dairy of a Drug Fiend, which was about the use of cocaine. He described the widespread use of cocaine among Hollywood stars, which he described as “cocaine-crazed sexual lunatics.”

As noted, Crowley died a wasted heroin addict given to rages and doubts. His last words were “I am perplexed…” Crowley worshipped the demon god Pan, the god of sexuality and lust. His “Hymn to Pan” was read at his funeral: “I rave and I rape and I rip and I rend/ Everlasting world without end!”

Crowley has had a great influence on rock & roll. The International Times voted Crowley “the unsung hero of the hippies.” One man who helped popularized Crowley’s work among rockers is avant-garde film artist Kenneth Anger. He claimed that his films were inspired by Crowley’s philosophy and called them “visual incantations” and “moving spells.” Anger considered Crowley a unique genius. Mick Jagger of the Rolling Stones and Jimmy Page of Led Zeppelin both scored soundtracks for Anger’s films about Crowley. See “Led Zeppelin” for more about Page’s enthusiasm for Crowley.

Crowley’s photo appeared on the Beatles’ Sgt. Pepper album cover. The Beatles testified that the characters who appeared on the album were their “heroes.” John Lennon explained to Playboy magazine that “the whole Beatle idea was to do what you want … do what thou wilst, as long as it doesn’t hurt somebody” (Lennon, cited by David Sheff, The Playboy Interviews with John Lennon and Yoko Ono, p. 61). This was precisely what Crowley taught.

Ozzy Osbourne called Crowley “a phenomenon of his time” (Circus, Aug. 26, 1980, p. 26). Ozzy even had a song called “Mr. Crowley.” “You fooled all the people with magic/ You waited on Satan's call / … Mr. Crowley, won't you ride my white horse…”

On the back cover of the Doors 13 album, Jim Morrison and the other members of the Doors are shown posing with a bust of Aleister Crowley.

David Bowie referred to Crowley in his song “Quicksand” from the album The Man Who Sold the World.

Graham Bond thought he was Crowley’s illegitimate son and recorded albums of satanic rituals with his band Holy Magick.

Iron Maiden lead singer Bruce Dickinson said: “… we’ve referred to things like the tarot and ideas of people like Aleister Crowley” (Circus, Aug. 31, 1984). Their song “The Number of the Beast” said, “666, the number of the beast/ 666, the one for you and me.” Crowley was called the Beast.

Daryl Hall of the rock duo Hall and Oates admits that he follows Crowley. “I became fascinated with Aleister Crowley, the nineteenth-century British magician who shared those beliefs. … I was fascinated by him because his personality was the late-nineteenth-century equivalent of mine—a person brought up in a conventionally religious family who did everything he could to outrage the people around him as well as himself” (Rock Lives: Profiles and Interviews, p. 584). Hall owns a signed and numbered copy of Crowley’s The Book of Thoth (about an Egyptian god).

Sting, formerly of the Police, has spent many hours studying Crowley’s writings.

Stiv Bators, lead singer for The Dead Boys and Lords of the New Church, had a song titled “Do What Thou Wilt/ This Is the Law,” after the philosophy of Satanist Aleister Crowley. In another song Bators sang: “I heard the Devil curse/ I recognized my name.”

LSD guru Timothy Leary was a Crowley enthusiast. He said: “I’ve been an admirer of Aleister Crowley. I think that I’m carrying on much of the work that he started over a hundred years ago … He was in favor of finding yourself, and ‘Do what thou wilt shall be the whole of the law’ under love. It was a very powerful statement. I’m sorry he isn’t around now to appreciate the glories he started” (Late Night America, Public Broadcasting Network, cited by Hells Bells, Reel to Real Ministries).

The Marilyn Manson song “Misery Machine” contains the lyrics, “We’re gonna ride to the abbey of Thelema.” The Abbey of Thelema was the temple of Satanist Aleister Crowley.

“And have no fellowship with the unfruitful works of darkness, but rather reprove them” (Ephesians 5:11).

“Be ye not unequally yoked together with unbelievers: for what fellowship hath righteousness with unrighteousness? and what communion hath light with darkness?” (2 Cor. 6:14).

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Aleister Crowley - To Man
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Rioghal Mo Dhream

Rioghal Mo Dhream Cover One of the most obscure entries on the A A reading list of "suggestive materials" is a book with a seemingly familiar title. But James Grant's The Adventures of Rob Roy (1864) is different from the well-known novel Rob Roy (1818) by Sir Walter Scott (1771-1832), despite the fact that another Scott novel, Redgauntlet (1824), confusingly appears on the list immediately preceding this entry. Walter Scott, who made such a great success with his invention of the historical novel in the "Waverley" series of heroic stories from the British past, remained enormously popular throughout the nineteenth century. In his wake, especially in the many periodical magazines in which most Victorian fiction originally appeared, there was a huge publishing market for historically instructive adventure romances. The Scottish writer James Grant (1822-1887), who knew how to spice his storytelling with Gaelic phrases and tales from folklore, and to provide a maximum of violence and excitement for his (presumably young) readers, has nearly faded from the reference books by now. Publishers in his own time considered him a significant and substantial novelist, and over a long mid-Victorian career Grant produced dozens of "knock-off" books inspired by Sir Walter Scott, for readers who somehow couldn't seem to get enough of these tales.
Grant's The Adventures of Rob Roy is a very readable blood-and-thunder romance of the Scottish Highlands in the early eighteenth century, and might easily have been a boyhood favorite of Crowley's. He might have thought of it again later during his association with the Golden Dawn (mid-1898 to early 1900), and while working with the leader and principal magical theorist of that group. Born Samuel Liddell Mathers on 8 January 1854, this seminal occult figure had grown up fatherless, fascinated by mysticism, indulging in fantasies of a secret heritage, and at an early age became an active freemason, scholar, and qaballist. Even in 1878, while still living with his mother, he was calling himself the Comte de Glenstrae when he could get away with it, or sometimes the Comte MacGregor, and claiming a suppressed Jacobite ancestry from the outlawed Highland clan of the MacGregors of Glenstrae. Crowley might even have included Grant's novel on the A A list partially out of spite, because Mathers had obviously studied the book, and may even have derived a substantial portion of his personal mythology from it. Edward Alexander Crowley had also changed his name as a teenager, however, and the unusual spelling of his adopted forename likewise figures prominently in Grant's book. Like Mathers and many others, Aleister Crowley was an Englishman unable to resist the "Celtic Revival" styles of the late nineteenth century, and he enjoyed representing himself at various times as Irish or Scottish.
Join Caitlin and the Section Two Reading Group at Oz House on Monday evening 19th January at 8:00 for a discussion of this book, illustrated with readings of selected passages. We begin by following the MacAleister and the MacGregor as they scrutinize the landscape for omens in their journey over the heath in search of vengeance for the outrages suffered by their outlawed clan. The MacGregor finds frequent occasion to call out their motto "'S Rioghal mo dhream!" to remind them of their secret royal blood, even as they are forced to pass themselves off as common folk. . . .

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