Showing posts with label learn magic. Show all posts
Showing posts with label learn magic. Show all posts

Little Essays Toward Truth

Little Essays Toward Truth Cover

Book: Little Essays Toward Truth by Aleister Crowley

I love this wee book because it is the foundation of Aleister Crowley's philosophy. You will not find 'magick' in here... no formulas, no magickal mumbo-jumbo, just a straight-forward 'this is how the world/universe works' collection of Philosophical essays on various topics.

Crowley wrote this treatise as a commentary to the Chaldean Oracles of Zoroaster. Depths of Insight are contained herein, making this an ultimately excellent text-book of the experiences of the Inward and Outward Paths - anyone interested in this book should try to join the A.'.A.'.'s subtle plan to raise the levels of Mankind's Spirituality above any past levels in the rememberable History.

Being a long-time fan of Aleister's I, too, have had to deal with the plethora of obfuscation in his prolific expression of genius. Always looking for that kernal of 'just what is it this man believes?' has been painstaking indeed. And then I stumbled across this book and purchased it. What a great find!

This book is for anyone inquisitive about what Aleister believed in, and what he based his entire life's work & journey on, whether it was writing, mountain climbing, or magickal doings. The book is small, only 87 pages, which proves a virtual miracle of succinct genius for Aleister to be so short-winded! There is a small Glossary in the back, which is very helpful, along with a Bibliography and Index. There is also included, in the front, a picture of the Tree of Life.

The essays themselves, 16 in all, are titled thusly: Man, Memory, Sorrow, Wonder, Beatitude, Laughter, Indifference, Mastery, Trance, Energy, Knowledge, Understanding, Chastity, Silence, Love, and lastly, Truth.

This book ultimately puts in context, and to rest, all those wild claims about Aleister being a Beast, or 'the most dangerous man alive'. Anyone to have penned these philosophical musings knows more about love, life, and the universe than any carnally depraved hedonist could possibly know, even if they possessed an ounce of desire to know it.

This book should be considered as THE FIRST book to read concerning Aleister. It will provide a firm foundation for Understanding just 'why' Aleister did all the things he did, persevered in the face of failure and condemnation, and ultimately attained to great success {in our eyes, if not in his own}.

The second book of Aleister's to read is: 'The World's Tragedy'. Once those two have been consumed, let the formal magickal work begin, and not until.

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Aleister Crowley - Little Essays Toward Truth

Babalon The City Of The Pyramids And The Night Of Pan

Babalon The City Of The Pyramids And The Night Of Pan Cover Choronzon is the dweller within the Abyss, and his purpose is to trap the traveller in a meaningless world of illusion. However Babalon is just on the other side, beckoning (in the sphere of Binah on the Tree of Life). If the adept gives himself to her—the symbol of this act is the pouring of the adept’s blood into her graal—he becomes impregnated in her (a state called "Babe of the Abyss"), then he is reborn as a Master and a Saint that dwells in the City of the Pyramids.

The City of the Pyramids is the home to those adepts that have crossed the great Abyss, having spilled all their blood in the Graal of Babalon. They have destroyed their earthly ego-identities, becoming nothing more than piles of dust (i.e. the remaining aspects of their True Selves without the self-sense of "I"). Within, they take on the name or title of Saint or Nemo (Latin for No-Man). In the system of A.'.A.'. they are called Masters of the Temple. It is a step along the path of spiritual purification, and a spiritual resting place for those who have successfully shed their attachments to the mundane world.

Of these adepts, it is written in The Vision and the Voice (Aethyr 14):

These adepts seem like Pyramids—their hoods and robes are like Pyramids And the Beatific Vision is no more, and the glory of the Most High is no more. There is no more knowledge. There is no more bliss. There is no more power. There is no more beauty. For this is the Palace of Understanding: for thou art one with the Primeval things.'

The Master of the Temple accordingly interferes not with the scheme of things, except just so far as he is doing the Work which he is sent to do. Why should he struggle against imprisonment, banishment, death? [...] The Master of the Temple is so far from the man in whom He manifests that all these matters are of no importance to Him. It may be of importance to His Work that man shall sit upon a throne, or be hanged.

I was instantly blotted in blackness. Mine Angel whispered the secret words whereby one partakes of the Mysteries of the Masters of the Temple. Presently my eyes beheld (what first seemed shapes of rocks) the Masters, veiled in motionless majesty, shrouded in silence. Each one was exactly like the other. Then the Angel bade me understand whereto my aspiration led: all powers, all ecstasies, ended in this—I understood. He then told me that now my name was Nemo, seated among the other silent shapes in the City of the Pyramids under the Night of Pan; those other parts of me that I had left for ever below the Abyss must serve as a vehicle for the energies which had been created by my act. My mind and body, deprived of the ego which they had hitherto obeyed, were now free to manifest according to their nature in the world, to devote themselves to aid mankind in its evolution. In my case I was to be cast out into the Sphere of Jupiter. My mortal part was to help humanity by Jupiterian work, such a governing, teaching, creating, exhorting men to aspire to become nobler, holier, worthier, kinglier, kindlier and more generous.

The City exists under the Night of Pan, or N.O.X. The playful and lecherous Pan is the Greek god of nature, lust, and the masculine generative power. The Greek word Pan also translates as All, and so he is “a symbol of the Universal, a personification of Nature; both Pangenetor, "all-begetter," and Panphage, "all-devourer" (Sabazius, 1995). Therefore, Pan is both the giver and the taker of life, and his Night is that time of symbolic death where the adept experiences unification with the All through the ecstatic destruction of the ego-self. In a less poetic symbolic sense, this is the state where one transcends all limitations and experiences oneness with the universe.

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Individual Scarlet Women

Individual Scarlet Women Cover Aleister Crowley believed that many of his lovers and magical companions were playing a cosmic role, even to the point of fulfilling prophesy. The following is a list of women that he considered to have been (or might have been) Scarlet Women (quotes are from The Law is for All):

* Rose Edith Crowley , Crowley's first wife. —Put me in touch with Aiwas; see Equinox 1, 7, "The Temple of Solomon the King." Failed as elsewhere is on record.
* Mary d'Este Sturges . —Put me in touch with Abuldiz; hence helped with Book 4. Failed from personal jealousies.
* Jeanne Robert Foster . —Bore the "child" to whom this Book refers later. Failed from respectability.
* Roddie Minor —Brought me in touch with Amalantrah. Failed from indifference to the Work.
* Marie Rohling . —Helped to inspire Liber CXI. Failed from indecision.
* Bertha Almira Prykryl . —Delayed assumption of duties, hence made way for No. 7.
* Leah Hirsig —Assisted me in actual initiation; still at my side, An XVII, Sol in Sagittarius.
* Leila Waddell -- Laylah, Crowley's muse and inspiration during the writing of The Book of Lies and for years afterwards.

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Liber 370 Aash Vel Capricorni Pneumatici

Liber 370 Aash Vel Capricorni Pneumatici Cover

Book: Liber 370 Aash Vel Capricorni Pneumatici by Aleister Crowley

"Liber A'ASH Vel Capricorni Pneumatici Sub Figura CCCLXX. Contains the true secret of all practical magick." Analyzes the nature of the creative magical force in man, explains how to awaken it, how to use it and indicates the general as well as the particular objects to be gained thereby. Sexual magick heavily veiled in symbolism. See also: Equinox I vi; III ix.

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Liber 074 Testis Testitudinis

Liber 074 Testis Testitudinis Cover

Book: Liber 074 Testis Testitudinis by Aleister Crowley

Liber Testis Testitudinis vel ty sub figura LXXIV

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The Equinox Vol Iii No Ii The Gospel According To St Bernard Shaw

The Equinox Vol Iii No Ii The Gospel According To St Bernard Shaw Cover

Book: The Equinox Vol Iii No Ii The Gospel According To St Bernard Shaw by Aleister Crowley

A fascinating study of Christianity by Crowley, built around a critique of Shaw's Androcles and the Lion. Published by Crowley's follower, Karl Germer.

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Gargoyles

Gargoyles Cover

Book: Gargoyles by Aleister Crowley

Gargoyles, Being Strangely Wrought Images of Life and Death by Aleister Crowley. Bound holograph manuscript with revisions in the hand of Aleister Crowley. Also printed in The Collected Works of Aleister Crowley, Vol. III, Page 84, Society for the Propagation of religious Truth, Boleskine, Foyers, Inverness, 1907.

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Liber 018 The Fountain Of Hyacinth

Liber 018 The Fountain Of Hyacinth Cover

Book: Liber 018 The Fountain Of Hyacinth by Aleister Crowley

Liber Tzaddi Beth Aleph vel Nike A diary of the use of cocaine and heroin and the relations of the Magician therewith. See Liber Al vel Legis: Chapter Two, verse Twenty Two.

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Duty

Duty Cover

Book: Duty by Aleister Crowley

A note on the chief rules of practical conduct to be observed by those who accept the Law of Thelema.

"Do what thou wilt shall be the whole of the Law."
"There is no law beyond Do what thou wilt."
"...thou hast no right but to do thy will. Do that and no other shall say nay. For pure will, unassuaged of purpose, delivered from the lust of result, is every way perfect."
"Love is the law, love under will."
"Every man and every woman is a star."

Explore the nature and Powers of your own Being. This includes everything which is, or can be for you: and you must accept everything exactly as it is in itself, as one of the factors which go to make up your True Self. This True Self thus ultimately includes all things soever: its discovery is Initiation (the travelling inwards) and as its nature is to move continually, it must be understood not as static, but as dynamic, not as a Noun but as a Verb.

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Liber 165 A Master Of The Temple

Liber 165 A Master Of The Temple Cover

Book: Liber 165 A Master Of The Temple by Aleister Crowley

Frater Achad's magical diary with comments by Crowley. See also: Equinox III I, p. 127

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Olla An Anthology Of Sixty Years Of Song

Olla An Anthology Of Sixty Years Of Song Cover

Book: Olla An Anthology Of Sixty Years Of Song by Aleister Crowley

The last book Crowley published before his death. An Anthology of Sixty Years of song by Aleister Crowley. Poetry. Aleister Crowley's best poems selection.

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Secret Agent 666 Introduction

Secret Agent 666 Introduction Cover

Book: Secret Agent 666 Introduction by Richard Spence

Aleister Crowley is best known today as a founding father of modern Occultism. His wide, hypnotic eyes peer at us from the cover of The Beatles' Sgt. Pepper's Lonely Hearts Club Band, and his Influence can be found everywhere in popular culture. Crowley, also known as the Great Beast, has been the subject of several biographies, some painting him as a misunderstood genius, others as a manipulative charlatan. None of them have looked seriously at his career as an agent of British Intelligence. Using documents gleaned from British, American, French, and Italian archives, Secret Agent 666 sensationally reveals that Crowley played a major role in the sinking of the Lusitania, a plot to overthrow the government of Spain, the thwarting of Irish and Indian nationalist conspiracies, and the 1941 flight of Rudolf Hess.

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What Crowley Got To Do With Thelema

What Crowley Got To Do With Thelema Cover It's strange being a magickian among the witches. Stranger still being a Thelemite magickian, a member of the OTO and other Orders and always getting blamed for Uncle Al's misbehavior. Really! What does aleister crowley have to do with Thelema anyway?

He's only its founder…

In 1904, in a small hotel room in Cairo the end of the world occurred. The Apocalypse happened and only a middle aged cynical rationalist Buddhist was there to see it. He did not want to be there but after his pregnant wife started telling him "They're waiting for you," he took some interest. He asked "Who are They, What are They like, What are their Attributes?" And she, neither initiate nor studied, rattled off the secret and unpublished traditional Golden Dawn correspondences for Horus: His color, planet, station in the temple her husbands relationship with the god and many another attribute. The Buddhist, formerly an adept of the Golden Dawn, calculated the odds of correctly guessing the right combination and it was astronomical. Horus was calling.

He was still skeptical. "Show me his image," he demanded of his wife, and off they went to the Cairo Museum. He secretly smirked as she walked right past image after image of Horus until she stopped and pointed, "That one!" It was the Funerary Stele of the Priest Ankh-af-na-Khonsu. In the Museum catalogue it was numbered Stele #666. Crowley, whose mother used to always call him "You Beast!" was dumbfounded. He had the curators make a copy and a translation and went back to the hotel.

Rose, his wife, told him to do an invocation to Horus, but the way she wanted him to do it broke all the rules. He was to invoke the archetype and force that is Horus among the Egyptians from among four other cultures all at the same time! Although common in modern practice in his day this was unheard of. He went and invoked the Patron of all Magicks, Thoth, who told him to obey his wife.

On March 20, 1904 Crowley was told by the image of Horus he invoked to enter the emptied room of their hotel suite with only paper and pen and wearing a simple white robe on April 8, 9, and 10 at the stroke of noon.

He sat down at the desk facing the wall of the room with paper and pen in hand. As the twelfth bell was tolled, a Voice behind the scribe began to speak, "Had, the manifestation of Nuit…" This was Aiwaz, the minister of Hoor-Paar-Khraat; the babe in the lotus, the god of innocence and silence. He had come to announce the end of the reign of Osirus, the Slain God, and the enthroning of Ra-Hoor-Khuit, the Risen Lord. Very much like the angel of the Apocalypse of John, who came bearing a little book to be kept sealed until the end times, Aiwaz came bearing words of a new testament of the relationship of Humanity with the Divine.

The central image of this relationship is Ra-Hoor-Khuit, which means in Egyptian the Illuminated Solar Hero. Horus is the only god among the Egyptians who is, dies, and is born again forgetting all of his godly wisdom but with all of its unguided power. Through His struggles against Set (read Matter) and with the help of his teachers Isis and Thoth, he remembers Who He Is. He awakens from His dreamlike ignorance and chooses to war no more against His Twin as He now remembers Set to be. No longer needing to fight with Matteriality, educated in Art, by Isis, and Science, by Thoth, He is suitable now to rule.

Without an adversarial attitude toward the world what of the Buddhist doctrine "All is Sorrow?" Chucked. What of the Christian attitude of suffering? Not necessary. "Remember all ye that existence is pure joy, that all the sorrows are but as shadows, they pass & are done; but there is that which remains. (AL II, 9)" What Aiwaz was saying Crowley would not accept but he was forced to write on, "I see thee hate the hand and the pen but for me in thee which thou knewest not…" For three days from Noon until the stroke of One, Crowley wrote the two hundred and twenty verses of the Book of the Law.

For nine years the manuscript gathered dust in the attic of Crowley's Scottish Highland home. Until one day, while looking for skis for a guest he found the manuscript. He had avoided magick and all things related since the time in Cairo. No yoga, no meditation, just being a husband. I think his marriage ended at this point or he chose to go on an excursion to the Sahara for some particular reason. During his sojourn in the desert he was inspired to perform the Enochian Calls of the 30 ?thers. During this visionary experience he became convinced of the profound importance of the Book of the Law and determined to promulgate its way.

In essence Thelema is a call to radical individual Liberty and Responsibility. It is summed up in the axiom "Do what thou wilt shall be the whole of the law." Thelema is Greek for will in its creative, magickal or primogenital sense. Thus for an incarnate being one's will is the intent for which one incarnated. The working hypothesis is that if all things did their Will, did what they are "supposed" to do, there would be no Accidents. The model to describe this is the orderly Solar System, each planet following its own orbit. However, stars, some times whole galaxies, collide. "As brothers fight ye," we are counciled. There will be conflicts of will, perhaps from a greater perspective the conflict itself is the central act and not the apparent ends, and so with the awareness that we are essentially all family let us enter into our conflicts with justice, fairness and honor in our hearts.

This brings us to the phrase, "Love is the law, love under will." This is the principle which is expressed in physics as gravity. In the Egyptian and Hermetic philosophies there is no separation between the forces of nature and the actions of the Humanity and the Divine. The apparent differences are a question of scale. Love is seen at the natural attraction of all things for each other as gravity binds all matter together over vast distances. The place of will is then a matter of determining the right relationship to have with other bodies. We are at the correct distance from the Sun for our kind of life to flourish on Earth. Not much closer or farther would kill us. Thus is Earth in a state of love under will towards the Sun, prolonging its rightful existence. We choose to be near our friends and lovers, we choose to be far from places of pestilence and decay. The law is love, we must have relation, but we get to choose how to relate, placing our love under will.

Throughout the Book of the Law there are little messages to Crowley telling him he will never fully understand that which he has written. An ego blow for sure, but when we look at the declaration made in the third verse, "Every man and every woman is a star," and look at Crowley's life it is obvious that he never out grew the Victorian misogyny he was raised with. Although he intellectually comprehended the equality of the sexes he never lived it. Unfortunately, some who follow this path follow in Aleister's footsteps, others are simply blamed for it…

I was raised by stern Irish-Polish Catholic parents. It was wrong to say "no" to them; obedience was a virtue. I was expected to follow out the program set down for me by parents in education, then grow up and get a "respectable" job. However, the world my parents grew up in is not the one I'm living in and they simply don't have the experience necessary to advise me. With the way I was raised I was very uncertain of myself. I did not know what I really wanted to be when I grew up. To Know Your Will is to know Who You Are and What You Want. This is the essence of the practice of Thelema.

Using classical and self-created rituals and meditations I seek and attain to knowledge of my Will daily, ever knowing that my Will is not a dead static thing but a living process. Perhaps in an ultimate sense one's will is always perfect, yet from our limited perspective we don't always see how. Many 'accidents' become windfalls, if viewed in this light. This is the central teaching of Thelema, that everything is already perfect, if we should just awaken from our ignorant slumber and see.

When Crowley returned from his trip in the desert, several books of verses came spontaneously to his mind and pen and, having written them, he was as yet uncertain of the author. They came to be known as the Holy Books of Thelema, recently published by Samuel Weiser & Co. These cover in greater detail the Cosmogony of Thelema as a resention of the Egyptian Gnosis and as an extension of Hermetic Philosophy. These Texts show the Great Work as the working towards ending of Sorrow, Sickness and Death: Hedonic Immortalism; learning through pleasure, through love, creativity and cooperation. No longer is it necessary to have a ruler high upon his or her throne to tell us all what to do. "There is no law beyond Do what thou wilt." Each of us is a sovereign with the right and the power to create the world we wish to live in, and also the responsibility.

Responsibility is the key to practicing Thelema. By being willing and able to respond to the needs of the times, we as humans fulfill our role in the world as the causers of change and growth. No animal on this planet has the tool making and using skills that we have to transform our environment into a living Heaven or Hell.

Archimedes said, "Give me a lever long enough and a place to stand and I shall move the world." If working the path of causing responsible change is your heart's desire, then Thelema might give you the Lever Long Enough and a Place to Stand.

Oh, yes, what's Crowley got to do with Thelema any way?

Well, he wrote it down…

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Liber 860 John St John The Record Of The Magical Retirement

Liber 860 John St John The Record Of The Magical Retirement Cover

Book: Liber 860 John St John The Record Of The Magical Retirement by Aleister Crowley

John St. John. The Record of the Magical Retirement of G.H. Frater O.M. (Aleister Crowley). A model of what a Magical record should be, so far as accurate Analysis and fullness are concerned. Equinox I i, Supplement

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Thelemic Practices

Thelemic Practices Cover he Law of Thelema is a system of experiential spirituality. This means that Thelemites engage in various spiritual practices in order to realize the truth of the spiritual life in and for themselves. The ultimate goal of the spiritual life is to identify with and actually become a spiritual being, free of the constraints and constrictions of conditioned existence. The state of being a spiritual being is an ecstatic, powerful state of union with everything (Thelemic "compassion"). The Law of Thelema also teaches that all religions are variations of one fundamental underlying spiritual truth, which become fragmented into different religious traditions as a result of variations of place, time, and degree of realization and mutual isolation and hostility as, with the passage of time, religions become increasingly diversified and exclusive. Religions thus harden into increasingly exoteric systems, based on devotion to priest craft and rules, in which individual spiritual experience is increasingly repressed in favour of an official orthodoxy, ultimately the prerogative of the Black Brothers, which becomes increasingly metaphorical and vicarious. Thus, the Law of Thelema rejects aereligiosity" altogether, and actively seeks to destroy it, since the religious attitude in this sense is harmful to the spiritual life and impedes, blocks, restricts, and interferes with real spiritual progress. Consequently, Thelemites incorporate practices from all religious traditions without distinction, in order to reconstitute the primordial tradition that underlies them all. Crowley compared this process to recombining the colours of the spectrum into white light. This reconstruction is the special task of Scientific Illuminism, which is one aspect of the Law of Thelema, the operative branch of which is Magick.

Spiritual practices are pursued in the context of various systems of attainment, which are appropriate to different types of aspirant, differentiated by race, culture, personal psychology, and degree of realization or "grade." Consequently, not all practices are suitable for all aspirants at all stages of development. Recognizing which practices are suitable to which aspirants at different stages of their spiritual development is the special skill of a spiritual master.

In the system of the A...A..., the grades correspond to specific tasks and corresponding attainments, arranged in an hierarchy. Many of these tasks and attainments have become the special study of parapsychology and transpersonal psychology in recent years. In the system described by Crowley, these are the main attainments of the Outer Order (collated from the three main documents describing these attainments, Liber XIII, Liber CLXV, and "One Star in Sight"):

The Neophyte formulates the Body of Light (popularly known today as "astral projection").
The Zelator masters Hatha Yoga, specifically, Asana and Pranayama, resulting in the experience of aepsychic opening."
The Practicus achieves Kundalini Awakening, so-called (see Lee Sanella, The Kundalini Experience).
The Philosophus masters Rising on the Planes (popularly known as the "out of body experience" or "OBE").
The Dominus Liminis acquires the power of mental Concentration (ekagrata).

The Adeptus Minor attains the Knowledge and Conversation of the Holy Guardian Angel, so-called, corresponding to the Hindu trance-state known as Atmadarshana, but with important differences as well.
The work of an aspirant to the A...A... is so subtle and advanced that it is beyond the ability of most people, although a few aspirants attained high grades in the A...A... during Crowleyaes lifetime. The tests, some of which are published, which Crowley applied to aspirants in order to qualify were very stringent, and Crowley did not grant grades casually. For example, one has to "astral travel" through an abstract symbol that one has never seen before and describe a vision the character of which is consistent with the symbolaes meaning in order to pass the test for "rising on the planes."

Crowley was promoted to the leadership of the English branch of the O.T.O. in 1912 e.v., and he used this order ever afterwards as a vehicle for popularizing the Law of Thelema, as well as the practice of the Supreme Secret of the O.T.O. During his lifetime, this secret was zealously guarded, although it is not always discreetly hinted at in the esoteric literature of the day and by Crowley himself. However, since Crowleyaes death the cat has long been out of the bag. The Supreme Secret of the O.T.O. is nothing other than the use of sex in the pursuit of spiritual enlightenment, equivalent in fact to a Western Tantra.

Sex is, of course, the single most powerful psycho-physiological energy in man, so pressing it into the service of spiritual development is a natural evolution, once one overcomes the restriction of shame. From the Tantric point of view, sexual abstinence is really a form of "sex magick," so-called, since sexual abstinence modifies the sexual instinct. Exotericism sees in sexual abstinence the rejection of sexuality per se as contrary to the spiritual life, but the Tantric view is more subtle and profound. Rather than rejecting sex, the Tantric practitioner seeks to sublimate the sexual energy, inhibiting its outflow so that the energy accumulates in the brain, its original source, where it induces the state of illumination (the physiological precursor of enlightenment).

Once one realizes that this is how sexual abstinence actually works, the possibility of a contrary methodology presents itself to the discerning consciousness. Instead of repressing the sexual energy, one can intensify it to the point where the sheer excess of sexual arousal causes the energy to ascend the spine and, once again, "illuminate" the brain. In the latter case, however, the body is also "illuminated." Thus, the formulae of sexual abstinence and orgiastic excess are realized to be essentially identical, variations of the same underlying energy-economy.

The members of the O.T.O. are encouraged to engage in practical experimentation, and many members pursue various tasks connected with the Great Work. This is especially true of the followers of Kenneth Grant, who has created a system of Thelemic attainment strongly suggestive of Vodou, the primal religion of Africa and humanity, since, according to current archaeological research, humanity originated in Africa.

In addition to the major tasks of the Great Work described above, committed Thelemites are enjoined to engage in a number of regular daily practices that have the effect of disciplining and directing the mind and regulating oneaes life according to objective natural cycles. These include (based on the Official Publications of the A...A...):

A short reminder of oneaes dedication to the Great Work, spoken before meals.
Rituals of purification and empowerment, performed at the beginning and end of each day (see Liber V, XXV, and XXXVI).
A daily eucharist (see Liber XLIV).
The adoration of the Sun, followed by one hour of meditation, repeated four times daily; thus, the truly committed Thelemite, like the followers of the Sant Mat, meditates four hours per day (see Liber CC).
Adoration of oneaes Star, performed as it rises above the horizon (see Liber CMLXIII)
In addition to the foregoing, members of the O.T.O. observe the Gnostic Mass (see Liber XV), in which the Supreme Secret is rehearsed and an eucharist consumed by the celebrants, and various visualization practices. The Book of the Law also refers to the spiritual use of drugs, which informed the spiritual practice of many significant spiritual teachers before their criminalization, including Georges Ivanovitch Gurdjieff (according to Timothy Leary), Julius Evola, Aldous Huxley and others. Drugs are also an integral part of many different South American aboriginal shamanic cultures. The traditional cultures of the Quiches, Incans, Mayans, and Aztecs bears many striking affinities to the Law of Thelema, more so even than Africa.


Books You Might Enjoy:

Zoroaster - The Chaldean Oracles
Anonymous - Wicca Beliefs And Practices
Greg Wotton - Suffering A Thelemic Perspective

Thelemic Holy Days

Thelemic Holy Days Cover Part of the spiritual discipline of a Thelemite consists in the coordination of his personal, individual, terrestrial life with the great cosmic cycles that regulate the life of the earth and humanity. Accepting the Law of Thelema is itself such an act of coordination or alignment with the cosmic cycle known as the precession of the equinoxes. Crowley implies that the New Aeon of Horus, the Crowned and Conquering Child, which began with the self-revelation of Aiwass at the Vernal Equinox, 1904 e.v., corresponds to the advent of the astrological Age of Aquarius. By aligning one's personal life with the universal life mediated by these cycles one becomes a vehicle of the manifestation of the universal life, thus making oneself a channel of higher spiritual forces which in turn accelerate one's natural spiritual evolution and affect the karma of the planet.

Other cycles with which the Thelemite aligns his life are the diurnal motion of the Sun, specifically, sunrise, noon, sunset, and midnight; the diurnal rising of the star or constellation rising in his horoscope; the diurnal rising of the lunar orb; the monthly lunar cycle, especially the new and full moons; the monthly entry of the sun into the signs of the zodiac; the annual solar cycle of the equinoxes and solstices; and an annual calendar of holy days prescribed in the Book of the Law, as follows:

The First Night of the Prophet and His Bride, corresponding to the consummation of the marriage of Aleister Crowley and Rose Edith Crowley on August 12, 1903 e.v.;
The Writing of the Book of the Law, on April 8, 9, and 10, 1904 e.v.; and
The Supreme Ritual, commemorating the successful Invocation of Horus on March 20, 1904 e.v.

All these times are celebrated by means of rituals, in which energy is generated, and feasts, in which energy is both discharged and absorbed. In addition, Aiwass' directs that the birth, puberty, and death of Thelemites and their children are to be celebrated. Many Thelemites also observe the "quarter-days" of the wiccan religion, viz., Samhain (November 1 eve), Imbolc (February 1 eve), Beltaine (May 1 eve), and Lammas (August 1 eve). Finally, the Book of the Law alludes to a mysterious feast of Tahuti, which has never been satisfactorily explained.

The Problem of Aleister Crowley's Reputation:

Many criticisms of the Law of Thelema are based on a moral critique of the personal character and conduct of Aleister Crowley. These accusations generally resolve themselves into seven basic assertions: that he was a pornographer, traitor, sexual deviant, sado-masochist, womanizer, drug addict/alcoholic, or even psychotic. Each of these accusations can be discussed in the context of the evidence. It is certainly true that Crowley published or wrote pornographic poems and stories, and was extremely interested in extreme sexual experimentation; that he wrote apparently pro-German propaganda in America during the First World War;

that he engaged in sexual relationships with both men and women; that he engaged in physically and psychologically abusive sexual relationships; that he professed contempt for women; that he drank heavily and became severely addicted to heroin in middle-age; and that he experienced ASCs, generally induced rather than spontaneous.

Strictly speaking, however, the truth or falsehood of any of these claims is unrelated to the truth or falsehood of the Law of Thelema, just as the truth or falsehood of the Tractatus Philosophicus is unrelated to the fact that Wittgenstein was an homosexual. As every first year philosophy student learns, truth or falsehood is not a moral quality or a function of the personal psyche, and it is quite possible for a morally mean or even psychologically dysfunctional person to experience and express insights that are both beautiful and true.

The history of Western civilization provides numerous examples, many of whom are studied in universities. Crowley himself regards the pursuit of spiritual realization as a science, in which moral considerations are either secondary or entirely irrelevant. Crowley himself writes, "Since the ultimate truth of teleology is unknown, all codes of morality are arbitrary. Therefore the student has no concern with ethics as such." Philosophically, then, aleister crowley is an amoralist.

Nevertheless, the Law of Thelema does imply an ethical teaching. The doctrine of the Black Brothers itself implies a kind of moral judgement. The essential ethical teaching of the Law of Thelema is that each and every individual has an absolute and inalienable right to pursue his own True Will without restriction by others, and that no one has the ethical or moral right or duty to compel another to pursue any other path, or even the capacity to criticize them. A Thelemite who knows his True Will can however guide others in accordance with universal principles, but the relationship should not be one of imitation. If Aleister Crowley violated his own or any other individual's True Will at any time, he simply violated his own law and paid the karmic price, but this does not invalidate the Law itself.

Great art and true philosophies are both created by scoundrels, but we balk when a scoundrel creates a true religion. The imitative tendency, which Crowley despised, is deep. Since imitating the moral example of a founder is not the ethical teaching of the Law of Thelema, every Thelemite is free to imitate Aleister Crowley's personal lifestyle or not as they choose, although Crowley himself advises against it, warning that those who try to do so will be possessed or obsessed by the "vision of the demon Crowley" (Crowley, who was an amateur artist, even drew a sketch of this particular demon). Unfortunately, as the history of the Law of Thelema shows with great clarity, Crowley's advice was accurate, and numerous heedless Thelemites have been devoured as a result.

The True Will represents the inertia of the universe, and is irresistible (if not, that simply proves that it is not the True Will). However, no one may restrict the True Will of another, unless another chooses, without coercion, to be so restricted.

Aleister Crowley should be understood as a natural phenomenon, without moral judgement. A prophet is himself merely a symptom of the zeitgeist. A storm is not "evil." Aleister Crowley was a storm, which may yet sink the ship of the Judaeo-Christian civilization that he despised.

Books You Might Enjoy:

Aristotle - On Dreams
Frater Hoor - A Thelemic Calendar
Aleister Crowley - Duty

Thelemic Holidays

Thelemic Holidays Cover "There are rituals of the elements and feasts of the times. A feast for the first night of the Prophet and his Bride! A feast for the three days of the writing of The Book of the Law. A feast for Tahuti and the child of the Prophet-secret, O Prophet! A feast for the Supreme Ritual, and a feast for the Equinox of the Gods. A feast for fire and a feast for water; a feast for life and a greater feast for death! A feast every day in your hearts in the joy of my rapture! A feast every night unto Nu, and the pleasure of uttermost delight! Aye! feast! rejoice! there is no dread hereafter. There is the dissolution, and eternal ecstasy in the kisses of Nu." (AL II:36-44)

The rituals of the elements and feasts of the times are celebrated at the equinoxes and solstices. Some Thelemites go one step farther and divide the year into cross-quarters as well, creating eight holidays not dissimilar to the "wheel of the year" often seen in other Neo-pagan traditions. While the equinoxes and solstices naturally fall on the same day as they do for other Neo-pagan traditions, the cross-quarter holidays are all shifted slightly, for example, Samhain (ritual of water) falls at 15 degrees Scorpio which is closer to November 7th than October 31st.

The Feast for the First Night of the Prophet and his Bride is celebrated on August 12th. There is no formal celebration that I am aware of. One O.T.O. body with which I am affiliated has an ice cream social on that date.

The Feast for the Three Days of the Writing of The Book of the Law is celebrated on April 8, 9 and 10, the three days that Crowley wrote Liber AL. Each day, beginning at noon, celebrants read aloud one of the three chapters of the Book of the Law.

The Feast for the Supreme ritual is the Thelemic New Year. This holiday, falling on March 20th, commemorates an invocation of Horus.

The Feast for the Equinox of the Gods is celebrated at the Spring Equinox to honor the founding of Thelema in 1904.

The Feast for Life (also called the lesser feast) is a celebration of a new birth. A person's birthday is sometimes referred to as the "lesser feast" as well. The Feast for Fire is the celebration of a boy's reaching puberty and the Feast for Water is the celebration of a girl's reaching puberty. The Greater Feast for Death (often just called the greater feast) is the commemoration of an individual's death.

Some Thelemites also celebrate "Crowleymas" which is the anniversary of Crowley's birth (October 12th).

Books You Might Enjoy:

Aleister Crowley - The Hermit Hymn To Solitude
Morwyn - The Golden Dawn
Thomas Moore - Candle Magick For Love
Anonymous - Pagan Holidays
Frater Hoor - A Thelemic Calendar

Rioghal Mo Dhream

Rioghal Mo Dhream Cover One of the most obscure entries on the A A reading list of "suggestive materials" is a book with a seemingly familiar title. But James Grant's The Adventures of Rob Roy (1864) is different from the well-known novel Rob Roy (1818) by Sir Walter Scott (1771-1832), despite the fact that another Scott novel, Redgauntlet (1824), confusingly appears on the list immediately preceding this entry. Walter Scott, who made such a great success with his invention of the historical novel in the "Waverley" series of heroic stories from the British past, remained enormously popular throughout the nineteenth century. In his wake, especially in the many periodical magazines in which most Victorian fiction originally appeared, there was a huge publishing market for historically instructive adventure romances. The Scottish writer James Grant (1822-1887), who knew how to spice his storytelling with Gaelic phrases and tales from folklore, and to provide a maximum of violence and excitement for his (presumably young) readers, has nearly faded from the reference books by now. Publishers in his own time considered him a significant and substantial novelist, and over a long mid-Victorian career Grant produced dozens of "knock-off" books inspired by Sir Walter Scott, for readers who somehow couldn't seem to get enough of these tales.
Grant's The Adventures of Rob Roy is a very readable blood-and-thunder romance of the Scottish Highlands in the early eighteenth century, and might easily have been a boyhood favorite of Crowley's. He might have thought of it again later during his association with the Golden Dawn (mid-1898 to early 1900), and while working with the leader and principal magical theorist of that group. Born Samuel Liddell Mathers on 8 January 1854, this seminal occult figure had grown up fatherless, fascinated by mysticism, indulging in fantasies of a secret heritage, and at an early age became an active freemason, scholar, and qaballist. Even in 1878, while still living with his mother, he was calling himself the Comte de Glenstrae when he could get away with it, or sometimes the Comte MacGregor, and claiming a suppressed Jacobite ancestry from the outlawed Highland clan of the MacGregors of Glenstrae. Crowley might even have included Grant's novel on the A A list partially out of spite, because Mathers had obviously studied the book, and may even have derived a substantial portion of his personal mythology from it. Edward Alexander Crowley had also changed his name as a teenager, however, and the unusual spelling of his adopted forename likewise figures prominently in Grant's book. Like Mathers and many others, Aleister Crowley was an Englishman unable to resist the "Celtic Revival" styles of the late nineteenth century, and he enjoyed representing himself at various times as Irish or Scottish.
Join Caitlin and the Section Two Reading Group at Oz House on Monday evening 19th January at 8:00 for a discussion of this book, illustrated with readings of selected passages. We begin by following the MacAleister and the MacGregor as they scrutinize the landscape for omens in their journey over the heath in search of vengeance for the outrages suffered by their outlawed clan. The MacGregor finds frequent occasion to call out their motto "'S Rioghal mo dhream!" to remind them of their secret royal blood, even as they are forced to pass themselves off as common folk. . . .

Books You Might Enjoy:

Siddhartha Gautama - Dhammapada
Michael Prescott - Darklore
Aristotle - On Dreams

Crowleyisms

Crowleyisms Cover Words, phrases, concepts or symbols coined by, associated with, or reminiscent of Crowley that occur in the text:

i) o­n p. 28 of the BAM, next to a descripton of the blessing of cakes and wine, are a collection of symbols that could possibly be an ornate form of “O.T.O.”; however, I can see several possible interpretations of these symbols, at least o­ne of which (relating to a wiccan mystery) I find more plausible than “O.T.O.”.

The wine blessing ritual these symbols accompany would be very familar to any Gardnerian initiate, and bears no particular resemblance to any of Crowley’s published rituals beyond that of containing a cup, wine, and Freudian symbolism. Indeed, the most similar ritual I have been able to find is a point in the Golden Dawn initiation ceremony of the Grade of Adeptus Minor, where o­ne of the three initiators holds a cup of wine and another dips a dagger into it and then uses it to bless the person being initiated (with a cross sign). This can be found o­n p. 215 of Volume 2 of Israel Regardie’s monumental The Golden Dawn (Chicago, 1938). However, the Freudian symbolism of this is not made explicit in the Golden Dawn ritual, and it is o­ne small element in an extremely long and elaborate ritual. This ritual was first published in a summarised form by Alister Crowley in The Temple of Solomon the King, Part 2 in The Equinox Volume I Number III (London, 1910): in this account of it, the cup and the dagger are held by the same person, and Crowley’s comments upon the ritual view the dagger as symbolizing the Cross or Death, while the cup symbolises the Lotus or Resurrection, which in the context of the rest of the (heavily Christian) symbolism of this ritual makes much more sense than a Freudian interpretation. A detailed version of this ritual was later published by Israel Regardie in Vol. 2 of The Golden Dawn (1938), as mentioned above, but with no commentary o­n the symbolism. This has different people holding the cup and the dagger as described above: this may be an inaccuracy in Crowley’s version, or may simply reflect a change in Golden Dawn ceremonial practice between the time of Crowley’s Adeptus Minor initation by Mathers of the Golden Dawn in Paris in 1900, and Regardie’s initiation in the early 1930’s into the Stella Matutina, a Golden Dawn daughter group.

ii) o­n p. 37 of the BAM, accompanying the text of Blessed be... are some symbols that could conceivably be intended to symbolise Crowley’s phrase “love under will”, though I can again see other possible interpretations of them, at least o­ne of which I find more plausible.

iii) The symbols “V,V,V,V,V.” (or “v,v,v,v,v.”) occur in several places in the BAM, including pp. 37, 98 or 99 (the original pagination of my transcript is unclear at this point), and 226. From the context this is used in, it seems always to be written in place of some secret deity name(s) where these occur in the text of a Wiccan ritual. In some places the name(s) have been added nearby (later, o­ne assumes) in Theban script. At first sight this is rather disturbing, since o­ne of Crowley’s many magickal names was normally written “V.V.V.V.V.” (this stands for “Vi Veri Vniversum Vivus Vici”, i.e. “By force of Truth I have conquered the Universe while living”, and he took this name in 1909). However, I suspect that the composer was unaware of this, and was not intending to imply the Crowley was (both of) the God(s) of the Witches, but that they had merely seen the symbol in Crowley’s writings and they thought this was a suitable symbol for implying the presence of a name while not spelling it out. This form of Crowley’s name occurs in many places in his published works, including Liber Cordis Cincti Serpente, Curriculum of the A.'.A.'., Liber LXI vel Causae, A Syllabus of the Official Instructions of A.'. A.'. Hitherto Published, The Vision and the Voice, Liber Liberi vel Lapis Lazuli, Liber Porta Lucis, Liber NV, the Abuldiz Working, The Book of Lies, The Book of Thoth and the Introduction to Magick in Theory and Practice. The first three of these were published in The Equinox Volume III Number 1 (The Blue Equinox, Detroit, Michigan, 1919). In most of these it is fairly clear that "V.V.V.V.V." is the name of a person, but in almost all it is (at least until o­ne is familiar with Crowley’s habit of talking about himself in the third person under various pseudonyms) extremely inobvious that it is Crowley, and o­nly in The Vision and the Voice is it explained what it is short for (though “Vi Veri Vniversum Vivus Vici” also occurs without “V.V.V.V.V.” in The book of Thoth and The Herb Dangerous).

iv) o­n p. 47 of the BAM the phrase “P.L. and P.T.” occurs twice. In context, this clearly means “Perfect Love and Perfect Trust”. As has been suggested out by Doreen Valiente, this may derive from the sentence “Perfect love, perfect faith, perfect trust, and you are unassailable.” which occurs in Part 1 of Aleister Crowley’s The Revival of Magick, which was published in The International in August 1917. However, The International was a pro-German literary magazine published in a small circulation in New York during the First World War (which Crowley had just taken over the editorship of). It will thus have been extremely hard to obtain in England. The o­nly library in Britain that has a collection is the British Library, and even their collection is missing a few issues (though they have the August 1917 issue). The phrases “perfect love” and “perfect trust” also occur in various Christian contexts, such as in the “The words, “Thou shalt love the Lord, thy God,” require perfect obedience, perfect fear, perfect trust, and perfect love.” in Commentary o­n the Epistle to the Galatians by Martin Luther (1535) as translated by Theodore Graebner (Grand Rapids, Michigan, 1949). It is also possible that both Crowley and the BAM were drawing o­n some unknown common source (the phrases would not sound out of place in a Masonic context). They are also short enough that their simply being reinvented is not implausible: I have found them together in both amateur poetry and BDSM erotica that were not obviously Wiccan in origin.

v) o­n p. 47 of the BAM “position of Enterer” is mentioned twice, and o­n p. 94 the “position of enterer” is mentioned. This presumably derives from the Golden Dawn’s “Sign of the Enterer” (which is more a position or a stance than what o­ne would normally think of as a “sign”). This could be taken from the Golden Dawn, either directly or via Volume 3 of Israel Regardie’s The Golden Dawn (Chicago, 1939), or it could come via the writings of Aleister Crowley. Crowley o­nly uses the expression “position of the Enterer” o­nce, at o­ne of the points where this stance is mentioned in his extracts from the Z.2 papers of the Golden Dawn in Part 2 of his autobiographical column The Temple of Solomon the King in The Equinox Volume I Number III (London, 1910). However, in this article it is never actually explained how it is done or what it looks like. The sign is mentioned by various other names in quite a lot of places in Crowley’s works: he mostly calls it either the “sign of the Enterer” (in Liber Pyramidos, The Mass of the Phoenix, Liber V vel Reguli, Liber Samekh and The Book of Thoth), or else the “sign of Horus” (in The Star Ruby and Liber V vel Reguli). However, the o­nly place where he actually explains how to do it is Liber O vel Manus et Sagittae, where it is refered to o­nly as “the typical position of the God Horus”. It thus seems unlikely that Crowley’s published works are the source that this was taken from. Another possibility is that it derives from Israel Regardie’s The Golden Dawn, which does contain Golden Dawn instructions explaining how to do it (though here also it is almost always refered to as the “Sign of the Enterer”, except in o­ne place in the Z.2 papers), but in view of the lack of other evidence of material in the BAM derived from Regardie’s The Golden Dawn, this also seems implausible. The most likely candidate for a source, in my opinion, is an earlier book by Israel Regardie, The Tree of Life: A Study in Magic, from which a couple of other passages in the BAM clearly derive, and which o­n pp. 142–143 also explains (in terms clearly derived from Crowley’s Liber O vel Manus et Sagittae) how to do the Sign of the Enterer.

vi) o­n p. 98 or p. 99 of the BAM (as mentioned, the original pagination of my transcript is unclear at this point) the use of cords to bind magical objects is mentioned. From the specific terminology used, this seems to derive originally from the Z papers of the Golden Dawn. The relevant extracts from these were first published by Crowley, in his magazine The Equinox Volume I Number III (London, 1910) in Part Z.2 of his autobiographical column The Temple of Solomon the King, and were later published in full by Israel Regardie in Volume 3 of his monumental work The Golden Dawn (Chicago, 1939). Since there is very little material from this in the BAM, and most prominent overlap (see 3) ii) below) is evidently via Crowley and another book of Regardie’s, rather than direct from the Golden Dawn, I suspect that the composer of the BAM had not read Regardie’s The Golden Dawn, and thus that the source from which this was drawn was Crowley rather than The Golden Dawn, but the latter cannot be ruled out.

vii) o­ne well-known Crowleyism that is not in the BAM is the spelling of the word “magick”: throughout the BAM (even in the passages quoted from Crowley’s works mentioned above), the spellings “magic”, “magician”, and “magical” are used, rather than Crowley’s “magick”, “magickian”, and “magickal”. This alone is enough to suggest to me that the composer(s) of the material in Ye Bok of ye Art Magical were not O.T.O. initiates at the time. If Crowley himself had written it, he would surely have titled it something like “The Art of Magick, vel Liber XL” (or De Arte Magica), not Ye Bok of ye Art Magical!

Books You Might Enjoy:

Aleister Crowley - Rights Of Man
Aleister Crowley - White Stains
Aleister Crowley - Poems

Crowley Artworks On Show In Paris

Crowley Artworks On Show In Paris Cover Ordo Templi Orientis has been working with the Centre Pompidou, the Warburg and the Palais de Tokyo to assist, in a minor way, with two truly important art shows, both featuring works by Aleister Crowley.

CENTRE POMPIDOU — TRACES DU SACRE May 8 - August 11

The Centre Pompidou in Paris is mounting a show commemorating the anniversary of its founding as the most prominent state-owned museum of modern art in France, titled “Traces du Sacre.” The show opens to the public on May 7 in Gallery 1, and runs until August 11. The curators have assembled a wide-ranging exploration of spirituality and esotericism in Europe and America in last century, drawing on their own holdings as well as those of other institutions and collectors around the world. The Warburg Institute has kindly loaned four newly-restored Thoth Tarot paintings by Aleister Crowley and Frieda, Lady Harris: The High Priestess, The Hermit, The Moon and The Aeon. One important, previously unknown Aleister Crowley oil painting will be included in the “Great Initiates” section of the show, kindly loaned by the owner of the group of paintings that form the second Palais du Tokyo show (discussed in detail below, this show runs concurrently with the Centre Pompidou show for a month from June 5). Also on view will be Cameron’s remarkable large-scale portait of Jack Parsons, “Dark Angel” — all part of the curatorial take on the “Lucifer Rising” mythos of Kenneth Anger. Also featured are works by Harry Smith, Jordan Belson and many others influenced directly or indirectly by Crowley and his students. Of course the overall context of the show, including Arp, Brancusi, Chagall, De Chirico, Dali, Dix, DuChamp, Giocometti, Goya, Kandinsky, Klee, Kupka, Miro, Mondrian, Munch, Picasso, Warhol etc. etc., is breathtaking. That Crowley should be included with these artists in a retrospective — one that takes into account the incredibly influential spiritual and artistic undergrounds — is groundbreaking. A comprehensive catalog will be available for purchase. After Paris, a smaller group of works (that will not include the Crowley-Harris Thoth paintings) travels to Munich.

Books You Might Enjoy:

Aleister Crowley - The Soul Of Osiris
Aleister Crowley - Rodin In Rime
Aleister Crowley - The Works Of Aleister Crowley Vol Ii Part 3
Aleister Crowley - The Works Of Aleister Crowley Vol I Part 3

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