Babalon The City Of The Pyramids And The Night Of Pan

Babalon The City Of The Pyramids And The Night Of Pan Cover Choronzon is the dweller within the Abyss, and his purpose is to trap the traveller in a meaningless world of illusion. However Babalon is just on the other side, beckoning (in the sphere of Binah on the Tree of Life). If the adept gives himself to her—the symbol of this act is the pouring of the adept’s blood into her graal—he becomes impregnated in her (a state called "Babe of the Abyss"), then he is reborn as a Master and a Saint that dwells in the City of the Pyramids.

The City of the Pyramids is the home to those adepts that have crossed the great Abyss, having spilled all their blood in the Graal of Babalon. They have destroyed their earthly ego-identities, becoming nothing more than piles of dust (i.e. the remaining aspects of their True Selves without the self-sense of "I"). Within, they take on the name or title of Saint or Nemo (Latin for No-Man). In the system of A.'.A.'. they are called Masters of the Temple. It is a step along the path of spiritual purification, and a spiritual resting place for those who have successfully shed their attachments to the mundane world.

Of these adepts, it is written in The Vision and the Voice (Aethyr 14):

These adepts seem like Pyramids—their hoods and robes are like Pyramids And the Beatific Vision is no more, and the glory of the Most High is no more. There is no more knowledge. There is no more bliss. There is no more power. There is no more beauty. For this is the Palace of Understanding: for thou art one with the Primeval things.'

The Master of the Temple accordingly interferes not with the scheme of things, except just so far as he is doing the Work which he is sent to do. Why should he struggle against imprisonment, banishment, death? [...] The Master of the Temple is so far from the man in whom He manifests that all these matters are of no importance to Him. It may be of importance to His Work that man shall sit upon a throne, or be hanged.

I was instantly blotted in blackness. Mine Angel whispered the secret words whereby one partakes of the Mysteries of the Masters of the Temple. Presently my eyes beheld (what first seemed shapes of rocks) the Masters, veiled in motionless majesty, shrouded in silence. Each one was exactly like the other. Then the Angel bade me understand whereto my aspiration led: all powers, all ecstasies, ended in this—I understood. He then told me that now my name was Nemo, seated among the other silent shapes in the City of the Pyramids under the Night of Pan; those other parts of me that I had left for ever below the Abyss must serve as a vehicle for the energies which had been created by my act. My mind and body, deprived of the ego which they had hitherto obeyed, were now free to manifest according to their nature in the world, to devote themselves to aid mankind in its evolution. In my case I was to be cast out into the Sphere of Jupiter. My mortal part was to help humanity by Jupiterian work, such a governing, teaching, creating, exhorting men to aspire to become nobler, holier, worthier, kinglier, kindlier and more generous.

The City exists under the Night of Pan, or N.O.X. The playful and lecherous Pan is the Greek god of nature, lust, and the masculine generative power. The Greek word Pan also translates as All, and so he is “a symbol of the Universal, a personification of Nature; both Pangenetor, "all-begetter," and Panphage, "all-devourer" (Sabazius, 1995). Therefore, Pan is both the giver and the taker of life, and his Night is that time of symbolic death where the adept experiences unification with the All through the ecstatic destruction of the ego-self. In a less poetic symbolic sense, this is the state where one transcends all limitations and experiences oneness with the universe.

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